The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
सेकाख्या वीक्षणाख्या चोपदेशाख्या तथैव च । व्याकुलाक्षरसंकेता गायत्री प्रणवादिका ॥ १६० ॥
sekākhyā vīkṣaṇākhyā copadeśākhyā tathaiva ca | vyākulākṣarasaṃketā gāyatrī praṇavādikā || 160 ||
Gāyatrī—beginnend mit dem Pranava «Oṁ»—wird in mehreren fachlichen Weisen bezeichnet: als «Sekā», als «Vīkṣaṇā» und als «Upadeśā»; und sie ist zudem durch eine besondere, kunstvolle Anordnung und Kennzeichnung der Silben ausgezeichnet.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames Gāyatrī (with Oṁ) not merely as a single utterance but as a disciplined, tradition-bound practice with recognized modes and precise syllabic indications—emphasizing purity of sound and method as part of spiritual efficacy.
By placing Pranava-led Gāyatrī within authorized methods of transmission (upadeśa) and correct phonetic handling, it supports bhakti through reverent, rule-guided japa—devotion expressed as careful sacred recitation.
Śikṣā (phonetics) and mantra-prayoga: the verse points to technical classifications of recitation and the importance of akṣara-saṃketa—accurate syllable marking and articulation in Vedic chanting.