The Description of the Four Durgā Mantras
ततो धूमावतीं ध्यायेच्छत्रुनिग्रहकारिणीम् । विवर्णां चंचलां दुष्टां दीर्घां च मलिनांबराम् ॥ १५७ ॥
tato dhūmāvatīṃ dhyāyecchatrunigrahakāriṇīm | vivarṇāṃ caṃcalāṃ duṣṭāṃ dīrghāṃ ca malināṃbarām || 157 ||
Dann soll man Dhūmāvatī, die Göttin, welche die Feinde bezwingt, meditativ schauen—bleich und verfärbt, ruhelos, wild, hochgewachsen und in beschmutzte Gewänder gekleidet.
Narada (teaching in a technical/ritual-dhyana sequence, within the Narada Purana’s Vedanga-oriented section)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: raudra
It prescribes a specific devatā-dhyāna (deity visualization) of Dhūmāvatī, emphasizing her role as a force that restrains hostile influences; the “austere” iconography signals withdrawal, severity, and protective power rather than worldly beauty.
Bhakti here takes the form of focused meditation (dhyāna) and reverent contemplation of the deity’s attributes; devotion is expressed through disciplined visualization aligned with the intended spiritual or protective purpose.
It reflects a technical application of mantra-śāstra and dhyāna-lakṣaṇa (meditative iconography) used in ritual practice—how specific forms/attributes are contemplated to achieve a stated result such as śatru-nigraha (subduing opposition).