The Description of the Four Durgā Mantras
बाणानभ्यर्चयेद्दिक्षु पंचमं पुरतो यजेत् । दलमध्येऽथ संपूज्या अनंगकुसुमादिकाः ॥ १३८ ॥
bāṇānabhyarcayeddikṣu paṃcamaṃ purato yajet | dalamadhye'tha saṃpūjyā anaṃgakusumādikāḥ || 138 ||
Man verehre die vier Bāṇas in den Himmelsrichtungen und den fünften vorne. Dann sind in der Mitte der Blütenblätter Anaṅgakusumā und die übrigen (Gottheiten/Gaben) gebührend zu ehren.
Narada (teaching a technical ritual arrangement within Vedanga/kalpa-style instructions)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches disciplined, diagram-based worship: honoring deities in the quarters and then the central/petal focus, showing that inner and outer order (dik and madhya) supports successful ritual concentration.
Bhakti here is expressed as careful upacāra—devotion made tangible through precise placement and honoring of invoked powers, culminating in focused worship at the lotus center.
Kalpa-style ritual procedure: dik-pūjā (directional worship), sequencing (four in the quarters, fifth in front), and mandala/lotus-petal placement used in technical pūjā-vidhi.