Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
देवीमिष्ट्वा मध्ययोनौ त्रिकोणे रतिपूर्विकाम् । वामकोणे रतिं दक्षे प्रीतिमग्रे मनोभवाम् ॥ २४ ॥
devīmiṣṭvā madhyayonau trikoṇe ratipūrvikām | vāmakoṇe ratiṃ dakṣe prītimagre manobhavām || 24 ||
Nachdem man die Göttin im mittleren, yoni-gestaltigen Dreieck verehrt hat, soll man dort Ratipūrvikā aufstellen (und verehren); in der linken Ecke Rati, in der rechten Prīti und an der vorderen Spitze Manobhavā.
Narada (in instruction to the Sanatkumara tradition, within a technical/ritual exposition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It teaches a precise upāsanā method: the Goddess is worshipped through ordered placement of associated śaktis in a yoni-shaped triangular maṇḍala, emphasizing disciplined ritual structure and focused contemplation.
Bhakti here is expressed as reverent, methodical worship—honoring the Goddess and her attendant powers (Rati, Prīti, etc.) through a prescribed arrangement that aids single-pointed devotion and visualization.
It reflects kalpa-style ritual procedure and maṇḍala/nyāsa principles—practical liturgical know-how about where deities are invoked and worshipped within a geometric diagram.