Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
संमोहनी च बाणानां देवताः पञ्च कीर्तिताः । तार्तीयवाग्मध्यगेन कामेन स्यात्षडंगकम् ॥ १५ ॥
saṃmohanī ca bāṇānāṃ devatāḥ pañca kīrtitāḥ | tārtīyavāgmadhyagena kāmena syātṣaḍaṃgakam || 15 ||
Als fünf werden die leitenden Gottheiten der (Kāmas) Pfeile verkündet—darunter Saṁmohanī, die Kraft der Verblendung und Betörung. Und wenn Kāma als derjenige eingesetzt wird, der „in der mittleren Rede“—der dritten Stufe der Rede—sich bewegt, wird diese Lehre sechsgliedrig.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames desire (Kāma) as a structured force governed by specific presiding powers, and links it to the doctrine of vāk (speech) so that the teaching is understood as a complete, six-part technical system rather than mere emotion.
Indirectly, it warns that enchantment/delusion (Saṁmohanī) operates through subtle channels like speech and intention; a bhakta counters this by disciplining mind and speech and redirecting desire toward Viṣṇu-centered devotion.
Mantra-vidyā language theory: the idea of graded speech (tārtīya-vāk and ‘middle’ operation) used to classify and apply teachings systematically as a ṣaḍaṅga (six-limbed) framework.