The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
षट्कोणांतर्लिखेन्मूलं साध्यार्णं केशरे स्वरैः । बाह्येऽष्टवर्गयुक्पत्रं पद्मभूमिपरावृतम् ॥ १४१ ॥
ṣaṭkoṇāṃtarlikhenmūlaṃ sādhyārṇaṃ keśare svaraiḥ | bāhye'ṣṭavargayukpatraṃ padmabhūmiparāvṛtam || 141 ||
Im Innern der sechszackigen Figur schreibe man die Mūla-Mantra; auf die Staubfäden (keśara) setze man die Silben des zu vollziehenden Mantras samt den Vokalen. Außen auf die Lotusblätter schreibe man die Silben der acht Gruppen (aṣṭa-varga) und umschließe alles mit dem Lotusgrund (padma-bhūmi).
Sanatkumara (teaching Narada the technical ritual layout)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It gives a precise yantra-vidhi: spiritual efficacy is linked to correct geometric placement (ṣaṭkoṇa, padma) and correct phonetic placement (vowels and syllable-groups), showing that mantra works through disciplined form and sound.
Bhakti here is expressed as reverent, exact worship—devotion becomes a structured offering where the deity is invoked through mantra-sound (mūla, sādhyārṇa) and honored through a lotus-diagram arrangement.
It highlights phonetic/letter-science used in ritual (Śikṣā-style attention to svara vowels and varga groupings) applied to mantra-writing and yantra layout, a technical feature of Narada Purana’s third pada.