The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
गोपिकागीतचरितो गोपीनर्तनलालसः । गोपीस्कन्धाश्रितकरो गोपिकाचुंबनप्रियः ॥ ७१ ॥
gopikāgītacarito gopīnartanalālasaḥ | gopīskandhāśritakaro gopikācuṃbanapriyaḥ || 71 ||
Seine Taten werden in den Liedern der Gopīs besungen; er erfreut sich am Tanz mit den Gopīs; seine Hand ruht auf den Schultern der Gopīs; und er liebt es, die Gopīs zu küssen.
Narada (in dialogue context with the Sanatkumara tradition; verse functions as a devotional epithet-description)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
It presents a vivid stuti of Bhagavan (Krishna) through His intimate Vraja-lila qualities, directing the mind toward loving remembrance (smaraṇa) and devotion (bhakti) rather than abstract speculation.
By listing Krishna’s affectionate interactions with the gopīs, it models bhakti as personal, heartfelt attachment expressed through kīrtana (songs), contemplation of līlā, and emotional closeness to the Lord.
While not a technical Vedanga instruction, it reflects a practical bhakti-application of chandas/alankara-style devotional praise—using structured epithets for recitation and remembrance in worship and kīrtana.