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Narada Purana — Purva Bhaga, Shloka 71

The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma

गोपिकागीतचरितो गोपीनर्तनलालसः । गोपीस्कन्धाश्रितकरो गोपिकाचुंबनप्रियः ॥ ७१ ॥

gopikāgītacarito gopīnartanalālasaḥ | gopīskandhāśritakaro gopikācuṃbanapriyaḥ || 71 ||

Seine Taten werden in den Liedern der Gopīs besungen; er erfreut sich am Tanz mit den Gopīs; seine Hand ruht auf den Schultern der Gopīs; und er liebt es, die Gopīs zu küssen.

गोपिकागीतचरितःwhose deeds are (celebrated in) the gopīs’ songs
गोपिकागीतचरितः:
Karta (कर्ता/Subject)
TypeAdjective
Rootगोपिका-गीत-चरित (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः (गोपिकानां गीतं चरितं यस्य / गोपिकागीतं चरितं यस्य)
गोपीनर्तनलालसःeager for the gopīs’ dance
गोपीनर्तनलालसः:
Karta (कर्ता/Subject)
TypeAdjective
Rootगोपी-नर्तन-लालस (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः (गोपीनर्तनं प्रति लालसः)
गोपीस्कन्धाश्रितकरःwhose hand rests on the gopī’s shoulder
गोपीस्कन्धाश्रितकरः:
Karta (कर्ता/Subject)
TypeAdjective
Rootगोपी-स्कन्ध-आश्रित-कर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः (गोपीस्कन्धे आश्रितः करः यस्य)
गोपिकाचुम्बनप्रियःfond of kissing the gopīs
गोपिकाचुम्बनप्रियः:
Karta (कर्ता/Subject)
TypeAdjective
Rootगोपिका-चुम्बन-प्रिय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; तत्पुरुषः (गोपिकाचुम्बनं प्रियं यस्य)

Narada (in dialogue context with the Sanatkumara tradition; verse functions as a devotional epithet-description)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: shringara

K
Krishna
G
Gopis

FAQs

It presents a vivid stuti of Bhagavan (Krishna) through His intimate Vraja-lila qualities, directing the mind toward loving remembrance (smaraṇa) and devotion (bhakti) rather than abstract speculation.

By listing Krishna’s affectionate interactions with the gopīs, it models bhakti as personal, heartfelt attachment expressed through kīrtana (songs), contemplation of līlā, and emotional closeness to the Lord.

While not a technical Vedanga instruction, it reflects a practical bhakti-application of chandas/alankara-style devotional praise—using structured epithets for recitation and remembrance in worship and kīrtana.