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Narada Purana — Purva Bhaga, Shloka 173

The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma

गंधर्वा सुरतज्ञा च गोविंदप्राणसंगमा । कृष्णांगभूषणा रत्नभूषणा स्वर्णभूषिता ॥ १७३ ॥

gaṃdharvā suratajñā ca goviṃdaprāṇasaṃgamā | kṛṣṇāṃgabhūṣaṇā ratnabhūṣaṇā svarṇabhūṣitā || 173 ||

Sie ist eine Gandharvī, kundig in den Künsten der Liebe; ihr Lebenshauch ist mit Govinda vereint. Sie schmückt die Glieder Kṛṣṇas, ist mit Edelsteinen geziert und mit Gold verherrlicht.

गन्धर्वाGandharvā (a name/epithet)
गन्धर्वा:
Karta (कर्ता/subject)
TypeNoun
Rootगन्धर्वा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; नाम/विशेषणरूपेण
सुरत-ज्ञाknower of amorous union
सुरत-ज्ञा:
Visheshana (विशेषण)
TypeAdjective
Rootसुरत (प्रातिपदिक) + √ज्ञा (धातु) + क (कृत्: ज्ञ) + आ (स्त्री)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; उपपद-तत्पुरुष: ‘सुरतं जानाति’ (knower of love/union)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
गोविन्द-प्राण-सङ्गमाunited with Govinda’s very life-breath
गोविन्द-प्राण-सङ्गमा:
Visheshana (विशेषण)
TypeAdjective
Rootगोविन्द (प्रातिपदिक) + प्राण (प्रातिपदिक) + सङ्गम (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; षष्ठी-तत्पुरुष: ‘गोविन्दस्य प्राणानां सङ्गमः’/‘गोविन्दप्राणैः सङ्गमः’ इति भावः (intimate union with Govinda’s life-breath)
कृष्ण-अङ्ग-भूषणाornament of Krishna’s limbs
कृष्ण-अङ्ग-भूषणा:
Visheshana (विशेषण)
TypeAdjective
Rootकृष्ण (प्रातिपदिक) + अङ्ग (प्रातिपदिक) + भूषण (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; षष्ठी-तत्पुरुष: ‘कृष्णस्य अङ्गानां भूषणा’
रत्न-भूषणाadorned with jewels
रत्न-भूषणा:
Visheshana (विशेषण)
TypeAdjective
Rootरत्न (प्रातिपदिक) + भूषण (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुष: ‘रत्नैः भूषणा’/‘रत्नभूषणयुक्ता’
स्वर्ण-भूषिताadorned with gold
स्वर्ण-भूषिता:
Visheshana (विशेषण)
TypeAdjective
Rootस्वर्ण (प्रातिपदिक) + √भूष् (धातु) + क्त (कृत्)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; क्त-कृदन्त ‘भूषिता’ = ‘अलङ्कृता’; ‘स्वर्णेन’ इति तृतीया-सम्बन्धः

Narada (within the Narada–Sanatkumara dialogue framework)

Vrata: none

Primary Rasa: shringara

Secondary Rasa: bhakti

G
Govinda
K
Krishna

FAQs

It presents devotion through vivid sacred aesthetics—depicting intimate, life-centered union with Govinda and service expressed as adorning Krishna, a poetic way of emphasizing single-pointed attachment (bhakti) to the Lord.

Bhakti is shown as loving closeness to Govinda—where one’s very prāṇa is ‘in union’ with Him—and as personal service (upacāra) symbolized by beautifying and honoring Krishna with ornaments.

While not a direct Vedanga rule, it reflects the puranic use of refined language and aesthetic culture (gandharva-related arts) to communicate dharmic devotion—useful for understanding how sacred literature employs poetic description as a teaching method.