The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
तस्यामावाह्य चाभ्यर्चेद्गोपीजनमनोहरम् । मुखे वेणुं समभ्यर्च्य वनमालां च कौस्तुभम् ॥ ५३ ॥
tasyāmāvāhya cābhyarcedgopījanamanoharam | mukhe veṇuṃ samabhyarcya vanamālāṃ ca kaustubham || 53 ||
Nachdem man Ihn dort herbeigerufen hat, verehre man den Herrn, der die Herzen der Gopīs entzückt. Verehre die Flöte (Veṇu) an Seinem Mund und ebenso die Waldgirlande (Vanamālā) und das Kaustubha-Juwel.
Narada (in an instructional/ritual-teaching passage; framed within dialogue traditionally involving Sanatkumara)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
It teaches that devotion is refined by precise upāsanā: the devotee invokes the Lord (āvāhana) and worships not only the deity-form but also His sacred emblems (flute, garland, Kaustubha), treating every attribute as a doorway to remembrance.
By naming Kṛṣṇa as “gopī-jana-manohara,” it centers bhakti on loving attraction to the Lord’s sweetness (mādhurya). The step-by-step worship—invocation and focused offerings—shows bhakti expressed through attentive ritual and continuous mental recollection.
Ritual application and correct procedure are emphasized: āvāhana (invocation), abhyarcana (formal worship), and worship of specific iconographic features—practical know-how aligned with kalpa-style ritual discipline within the Purāṇic tradition.