The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अर्द्धद्वयं न्यसेन्मूर्ध्नि आहृत्पादात्तदङ्गकम् । उग्रादीनि पदानीह मृत्युमृत्युं नमाम्यहम् ॥ २७ ॥
arddhadvayaṃ nyasenmūrdhni āhṛtpādāttadaṅgakam | ugrādīni padānīha mṛtyumṛtyuṃ namāmyaham || 27 ||
Man soll die beiden Hälften (des Mantras) auf den Kopf setzen; und vom Herzen bis zu den Füßen es den entsprechenden Gliedern zuweisen. Hier verneige ich mich mit den Worten, die mit «Ugra…» beginnen, vor Mṛtyuṃmṛtyu, dem Bezwinger des Todes.
Narada (teaching a technical ritual procedure within Vedanga-oriented practice)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches nyāsa—sacralizing the body by placing mantra-parts on the head and limbs—so the practitioner internalizes the deity’s protective power and worships the Death-conquering Lord (Mṛtyuṃmṛtyu).
Bhakti appears here as embodied devotion: the devotee performs reverential placement of the mantra on the body and ends with surrender—“I bow”—to the deity who removes fear of death.
It highlights ritual-technical knowledge: mantra segmentation and viniyoga through nyāsa (assigning mantra parts to specific body locations), a practical application closely tied to śikṣā (proper recitation/placement) and kalpa-style procedure.