The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
मूर्ते नृसिंहशब्दान्ते महापुरुष ईरयेत् । प्रधानधर्माधर्मान्ते निगडेतिपदं वदेत् ॥ १६३ ॥
mūrte nṛsiṃhaśabdānte mahāpuruṣa īrayet | pradhānadharmādharmānte nigaḍetipadaṃ vadet || 163 ||
Am Ende des Wortes „mūrti“ spreche man „nṛsiṃha“; am Ende von „nṛsiṃha“ spreche man „mahāpuruṣa“. Und am Ende der Folge „pradhāna–dharma–adharma“ sage man das Wort „nigaḍeti“.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It gives a precise rule for placing and uttering specific divine epithets (Nṛsiṃha, Mahāpuruṣa) within a recitation sequence, showing that correct formulation and sound-order are treated as spiritually efficacious in Vedic-technical practice.
By prescribing the invocation of Nṛsiṃha and Mahāpuruṣa, it frames devotion as disciplined remembrance through correctly spoken names—bhakti expressed via exact mantra-style recitation rather than only emotion.
It reflects Vedāṅga concerns—especially Śikṣā (pronunciation) and Vyākaraṇa/pada-usage—by specifying where particular words should be appended/uttered in a recitation sequence.