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Narada Purana — Purva Bhaga, Shloka 3

The Account of the Ekādaśī Vow Observed Throughout the Twelve Months

उपचारैर्बहुविधैर्जपैर्होमैः प्रदक्षिणैः । स्तोत्रपाठैर्बहुविधैर्गीतवाद्यैर्मनोहरैः ॥ ३ ॥

upacārairbahuvidhairjapairhomaiḥ pradakṣiṇaiḥ | stotrapāṭhairbahuvidhairgītavādyairmanoharaiḥ || 3 ||

Mit vielfältigen rituellen Diensten, mit Mantra-Wiederholung (japa), mit Feueropfern (homa), mit Umwandlungen (pradakṣiṇā), mit verschiedenartigen Hymnenrezitationen sowie mit anmutigem Gesang und Instrumentalmusik—(so wird der Herr verehrt).

उपचारैःwith services/offerings
उपचारैः:
Karaṇa (करण)
TypeNoun
Rootउपचार (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/करण), बहुवचन
बहुविधैःof many kinds
बहुविधैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootबहु + विध (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: कर्मधारय (बहवः विधाः येषां ते)
जपैःwith recitations (japa)
जपैः:
Karaṇa (करण)
TypeNoun
Rootजप (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
होमैःwith fire-offerings (homa)
होमैः:
Karaṇa (करण)
TypeNoun
Rootहोम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन
प्रदक्षिणैःwith circumambulations
प्रदक्षिणैः:
Karaṇa (करण)
TypeNoun
Rootप्रदक्षिणा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया-विभक्ति, बहुवचन
स्तोत्रपाठैःwith recitations of hymns
स्तोत्रपाठैः:
Karaṇa (करण)
TypeNoun
Rootस्तोत्र + पाठ (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: षष्ठी-तत्पुरुष (स्तोत्रस्य पाठः)
बहुविधैःof many kinds
बहुविधैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootबहु + विध (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचन; समास: कर्मधारय
गीतवाद्यैःwith songs and instruments
गीतवाद्यैः:
Karaṇa (करण)
TypeNoun
Rootगीत + वाद्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (समाहार-द्वन्द्व), तृतीया-विभक्ति, बहुवचन; समास: द्वन्द्व (गीतं च वाद्यं च)
मनोहरैःdelightful, charming
मनोहरैः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootमनोहर (प्रातिपदिक)
Formनपुंसकलिङ्ग/पुंलिङ्ग (सन्दर्भे गीतवाद्यैः इति नपुंसकबहुवचनानुगुणम्), तृतीया-विभक्ति, बहुवचन

Narada (teaching in a catalog-like description of devotional worship)

Vrata: none

Primary Rasa: bhakti

Secondary Rasa: adbhuta

FAQs

It presents a complete devotional framework—outer ritual (upacāra, homa, pradakṣiṇā) united with inner devotion expressed through mantra (japa) and praise (stotra), culminating in joyful worship through music.

Bhakti is shown as multi-limbed: serving the deity, repeating divine names/mantras, offering oblations, circumambulating in reverence, and celebrating the Lord through hymn-recitation and devotional music.

Ritual procedure is implied (kalpa-style practice) through homa and upacāra, and correct mantra use through japa—requiring disciplined recitation and liturgical order in worship.