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Shloka 29

Pāśupata-vrata Māhātmya: Dvādaśa-Liṅga Mahāvrata, Month-wise Dravya, and Pūjā-krama

फ़्लोwएर् => देइत्य् बिल्वपत्रे स्थिता लक्ष्मीर् देवी लक्षणसंयुता नीलोत्पले ऽंबिका साक्षाद् उत्पले षण्मुखः स्वयम्

flower => deity bilvapatre sthitā lakṣmīr devī lakṣaṇasaṃyutā nīlotpale 'ṃbikā sākṣād utpale ṣaṇmukhaḥ svayam

Im Bilva-Blatt—das selbst den Daityas lieb ist—weilt Lakṣmī, die Göttin, geschmückt mit glückverheißenden Zeichen. Im blauen Lotus ist Ambikā selbst offenbar gegenwärtig; und im (weißen) Lotus ist Ṣaṇmukha (Skanda) in eigener Person. So werden die Gaben der Śiva-pūjā zu Gefäßen göttlicher Gegenwart und helfen dem paśu (der gebundenen Seele) hin zur Gnade Patis (Śivas).

daitya-bilva-patrein the bilva-leaf associated with the Daityas / acceptable even to Daityas
daitya-bilva-patre:
sthitāabiding, established
sthitā:
lakṣmīḥLakṣmī (goddess of auspiciousness)
lakṣmīḥ:
devīgoddess
devī:
lakṣaṇa-saṃyutāendowed with auspicious signs/attributes
lakṣaṇa-saṃyutā:
nīla-utpalein the blue lotus
nīla-utpale:
ambikāAmbikā (the Mother, Pārvatī/Śakti)
ambikā:
sākṣātdirectly, in person
sākṣāt:
utpalein the lotus
utpale:
ṣaṇmukhaḥṢaṇmukha (six-faced Skanda)
ṣaṇmukhaḥ:
svayamhimself, personally
svayam:

Suta Goswami (narrating Linga-puja significance to the sages of Naimisharanya)

L
Lakshmi
A
Ambika (Parvati)
S
Shanmukha (Skanda)
S
Shiva

FAQs

It teaches that specific offerings (bilva-leaf, blue lotus, lotus) are not mere materials but loci of divine presence, making Śiva-pūjā a direct channel of śakti and anugraha (grace) for the worshipper.

Śiva-tattva is shown as the Pati who receives worship through empowered symbols; the presence of deities within offerings implies Śiva’s all-pervasive lordship that sanctifies names, forms, and ritual substances to liberate the paśu from pāśa.

It highlights upacāra-based Linga-pūjā—selecting bilva and lotus offerings with mantra-bhāva—supporting Pāśupata discipline by purifying intention and focusing consciousness on Pati through sacred correspondences.