Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
जनार्दनो ऽपि भगवान् नमस्कृत्य महेश्वरम् कृताञ्जलिपुटो भूत्वा प्राह सांबं त्रियंबकम्
janārdano 'pi bhagavān namaskṛtya maheśvaram kṛtāñjalipuṭo bhūtvā prāha sāṃbaṃ triyaṃbakam
Selbst der erhabene Janārdana (Viṣṇu) verneigte sich vor Maheśvara; mit zum Añjali gefalteten Händen wandte er sich an den Dreiäugigen Herrn — Śiva, vereint mit Śakti, Sāmbā.
Suta Goswami (narrating the episode; internal action attributed to Vishnu/Janardana)
It models the fundamental posture of Linga-bhakti: namaskāra and añjali before Pati (Maheshvara). Even Viṣṇu exemplifies reverent submission to Shiva, reinforcing that liberation-oriented worship begins with humility and recognition of the Lord as the supreme refuge.
Shiva is invoked as Maheśvara and Triyambaka—sovereign and all-seeing—while “Sāmbā” signals Shiva inseparable from Śakti. In Shaiva Siddhānta terms, Pati is never devoid of His power (Śakti), through whom He reveals grace (anugraha) to free the paśu from pāśa.
The verse highlights external puja-vidhi markers—namaskāra and kṛtāñjali (añjali-mudrā)—which correspond to inner discipline: ego-surrender and one-pointed devotion, foundational to Pāśupata-oriented worship and mantra-centered approach to Mahādeva.