Shloka 15

Vighneshvara-Prashna and Deva-Krita Shiva-Stava

Adhyaya 104

Devanagari script

पञ्चधा पञ्चकैवल्यदेवैरर्चितमूर्तये पञ्चाक्षरदृशे तुभ्यं परात्परतराय ते

Transliteration

pañcadhā pañcakaivalyadevairarcitamūrtaye pañcākṣaradṛśe tubhyaṃ parātparatarāya te

Translation

Verehrung sei Dir—dem Höchsten jenseits alles Jenseits—dessen Gestalt von den fünf Kaivalya-Gottheiten in fünffacher Weise angebetet wird und der sich unmittelbar durch das fünfsilbige Schau-Mantra «Namaḥ Śivāya» offenbart.

Word by Word

• पञ्चधा: in fivefold manner

• पञ्चकैवल्यदेवैः: by the five deities connected with kaivalya (liberation)

• अर्चितमूर्तये: to Him whose form is worshipped/adored

• पञ्चाक्षरदृशे: to Him who is seen/realized through the five-syllable (pañcākṣara) mantra

• तुभ्यम्: to You

• परात्परतराय: to the One higher than the highest (beyond the beyond)

• ते: to You (dative sense, poetic repetition)

Speaker

Suta Goswami (narrating to the sages of Naimisharanya, within a hymn of praise to Shiva)

Characters & Entities

• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It frames Linga-worship as a fivefold adoration of Shiva’s manifest aspects and declares that Shiva is realized through the pañcākṣara, making mantra and worship inseparable in approaching the Linga as Pati (the Lord).

How does this verse describe the nature of Shiva (Shiva-tattva)?

Shiva is praised as parātparatara—transcending even the highest categories—yet accessible through a concrete upāya (means): the five-syllable mantra that grants direct recognition (dṛś) of the Lord beyond pasha (bondage).

What ritualistic or Yogic practice is highlighted here?

Pañcākṣara-japa (Namaḥ Śivāya) as a Pāśupata-oriented upāya: disciplined repetition and contemplation that leads the pashu (soul) toward kaivalya by Shiva’s grace.