Shloka 52
Parīkṣit’s Inquiry into Vṛtrāsura’s Bhakti and the Beginning of Citraketu’s Trial
पतिं निरीक्ष्योरुशुचार्पितं तदा मृतं च बालं सुतमेकसन्ततिम् । जनस्य राज्ञी प्रकृतेश्च हृद्रुजं सती दधाना विललाप चित्रधा ॥ ५२ ॥
patiṁ nirīkṣyoru-śucārpitaṁ tadā mṛtaṁ ca bālaṁ sutam eka-santatim janasya rājñī prakṛteś ca hṛd-rujaṁ satī dadhānā vilalāpa citradhā
Als die Königin ihren Ehemann, König Citraketu, in großer Trauer versunken sah und das tote Kind erblickte, das der einzige Sohn der Familie war, klagte sie auf verschiedene Weise. Dies vergrößerte den Schmerz in den Herzen aller Palastbewohner, der Minister und aller Brāhmaṇas.
FAQs
This verse portrays grief as a powerful, shared human experience—felt by the king, the queen, and even the citizens—yet it also sets the stage for Bhagavatam’s deeper teaching: to move from lamentation to spiritual understanding of the soul’s eternity and life’s impermanence.
Because her lamentation is not portrayed as irreligious; she is a devoted, principled wife who compassionately bears the pain of her husband and the people, even as she herself suffers the loss of her only child.
It validates grief while reminding us to seek higher perspective: support others who are suffering, acknowledge the impermanence of worldly relations, and turn the heart toward spiritual grounding (bhakti) rather than being consumed by despair.