Shloka 123
Rudra’s Removal of Brahmahatyā; Kapālamocana and Avimukta Māhātmya; Origins of Nara and Karṇa
link to Arjuna/Karna query
अद्भुतानां प्रसूतिस्त्वं तेजसां निधिरक्षयः । विजयाद्विश्वभावस्त्वं सृष्टिकर्ता महाद्युते
adbhutānāṃ prasūtistvaṃ tejasāṃ nidhirakṣayaḥ | vijayādviśvabhāvastvaṃ sṛṣṭikartā mahādyute
তুমি আশ্চর্যসমূহের প্রসূতি, তেজের অক্ষয় নিধি। বিজয়ে তুমি বিশ্বস্বরূপ; হে মহাদ্যুতি, তুমি সৃষ্টির কর্তা।
Unspecified (a eulogistic address within the Sṛṣṭikhaṇḍa narrative; exact speaker not provided in the input)
Concept: The Supreme is the inexhaustible treasury of tejas and the generative source of all marvels; recognizing this evokes devotion and reorients the self toward the creator of creation.
Application: Practice ‘wonder-based devotion’: daily contemplate one aspect of creation (light, breath, order, beauty) as a doorway to gratitude and surrender to the inexhaustible source.
Primary Rasa: adbhuta
Secondary Rasa: bhakti
Type: celestial_realm
Visual Art Cues: {"scene_description":"A vast cosmic panorama unfolds: galaxies and lotus-like nebulae bloom from a central radiant source, as if wonders are being born in real time. The praised deity is shown either as a majestic creator-form seated upon a lotus of light or as an immense aureole from which streams of tejas pour forth, turning into worlds; the entire scene feels like a hymn made visible.","primary_figures":["The praised Supreme Creator (iconographically adaptable: Nārāyaṇa as cosmic source or a radiant creator-presence)","Attendant sages/devas (optional, in awe)"],"setting":"Cosmic creation tableau with lotus nebulae, concentric mandalas, and emerging worlds; subtle victory banners or radiant rays suggesting ‘vijaya’ as triumphant order.","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","molten gold","amethyst purple","pearl white"],"tanjore_prompt":"Tanjore painting style: central cosmic deity with towering golden halo, streams of tejas forming lotus-worlds around; ornate gold leaf everywhere—halo, rays, borders—rich crimson and emerald accents, gem-studded ornaments, symmetrical mandapa-arch framing the universe as a sanctum.","pahari_prompt":"Pahari miniature style: poetic cosmic landscape with delicate star fields and lotus-shaped clouds; the creator-presence as a luminous figure or aura, worlds emerging as soft circular vignettes; cool blues and purples with restrained gold, refined faces for any onlookers, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: bold-outlined cosmic deity with expansive aura, radiating bands of color that become stylized worlds and lotuses; strong red-yellow-green palette with black contours, temple-wall grandeur, rhythmic ornamental motifs filling the cosmos.","pichwai_prompt":"Pichwai cloth painting style: central radiant mandala with lotus motifs multiplying outward into a universe of patterned flowers and stars; deep indigo background with gold highlights, intricate floral borders, symmetrical Nathdwara-like ornamentation adapted to a cosmic creation theme."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell","temple bells","mridang rhythm (soft)","choral hum on key epithets"]}
Sandhi Resolution Notes: प्रसूतिस्त्वं = प्रसूतिः + त्वम्; निधिरक्षयः = निधिः + अक्षयः; विजयाद्विश्वभावस्त्वं = विजयात् + विश्वभावः + त्वम्.
FAQs
It praises the addressed deity as the inexhaustible source of cosmic power and marvels, identifying them as the creator and the underlying essence of the universe.
No. It functions as a stuti (hymn of praise) focused on cosmology—creation, divine radiance, and universal essence—rather than places or tīrtha descriptions.
It models reverent recognition of the divine as the sustaining source of all excellence and success, encouraging humility and devotion toward the ultimate creator.