Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
षड्दीर्घाढ्येन बीजेन कुर्याश्चैव षडंगकम् । लोहितां ललितां बाणचापपाशसृणीः करैः ॥ ३५ ॥
ṣaḍdīrghāḍhyena bījena kuryāścaiva ṣaḍaṃgakam | lohitāṃ lalitāṃ bāṇacāpapāśasṛṇīḥ karaiḥ || 35 ||
ছয় দীর্ঘস্বর-সমৃদ্ধ বীজমন্ত্র দ্বারা ষড়ঙ্গ-ন্যাস কর; দেবীকে লোহিতবর্ণা ও ললিতা রূপে ধ্যান কর—যাঁর করযুগলে বাণ, চাপ, পাশ ও সৃণী (অঙ্কুশ) বিদ্যমান।
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links precise mantra-phonetics (a seed-mantra characterized by long vowels) with inner sanctification through ṣaḍaṅga-nyāsa and focused deity-visualization, showing that correct sound, placement, and contemplation together make worship effective.
Bhakti here is expressed as disciplined upāsanā: the devotee performs nyāsa and then lovingly meditates on the Goddess’ form—red and graceful—so devotion becomes steady through clear visualization and mantra-anchored attention.
Śikṣā (Vedic phonetics) is implied by the emphasis on dīrgha (long vowels) in the bīja, and Kalpa-style ritual procedure is reflected in the instruction to perform ṣaḍaṅga-nyāsa as a standardized preparatory rite.