The Description of the Four Durgā Mantras
प्रविन्यसेद्य धापूर्व भृगुर्व्योमाग्निसंस्थितः । सद्यादिपञ्चह्रस्वाद्या बीजमेषां प्रकीर्तितम् ॥ ५१ ॥
pravinyasedya dhāpūrva bhṛgurvyomāgnisaṃsthitaḥ | sadyādipañcahrasvādyā bījameṣāṃ prakīrtitam || 51 ||
‘ধা’ হইতে আরম্ভ করিয়া যথাক্রমে বিন্যাস করিবে। ‘ভৃগু-বর্গ’কে ব্যোম ও অগ্নির স্থানে ন্যাস করিবে। ইহাদের বীজ ‘সদ্য’ প্রভৃতি পাঁচ এবং হ্রস্ব স্বরাদি অক্ষর বলিয়া ঘোষিত॥
Sanatkumara (teaching Narada in a Vedanga/technical instruction context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It treats mantra-technology as a sacred discipline: correct sequencing and placement of syllables (with defined bīja-forms) is presented as essential for a mantra’s efficacy and purity in Vedic practice.
Bhakti here is supported by precision in sacred speech—devotion is not only emotion but also disciplined recitation and correct mantra-structure, aligning the practitioner with Vedic order (ṛta).
Shiksha/Vedanga phonetics: it emphasizes ordered arrangement of syllables, the use of bīja-syllables, and technical vowel classes (hrasva) connected with ritual/elemental placements such as agni and vyoma.