Yakṣiṇī-Mantra-Sādhana Nirūpaṇa
Lakṣmī-avatāra-vidyāḥ: Bālā, Annapūrṇā, Bagalā
पद्मकेशरगा ब्राह्मी मुखाः पत्रेषु भैरवाः । दीर्घाद्या मातरः पूज्या ह्रस्वाद्याश्चाष्टभैरवाः ॥ २८ ॥
padmakeśaragā brāhmī mukhāḥ patreṣu bhairavāḥ | dīrghādyā mātaraḥ pūjyā hrasvādyāścāṣṭabhairavāḥ || 28 ||
পদ্মের কেশরে ব্রাহ্মীকে স্থাপন করে পূজা করতে হয়; পত্রে পত্রে ভৈরব-মুখসমূহ বিন্যস্ত হয়। দীর্ঘ স্বরাদি মাতৃকাগণ পূজ্য, আর হ্রস্ব স্বরাদি অষ্টভৈরবও আরাধ্য।
Narada (instructing in a technical-ritual context within the Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a structured method of upāsanā where deities are installed on a lotus-diagram, showing that sound (vowels) and form (mandala placement) are linked in mantra-based worship.
Bhakti here is expressed as precise ritual devotion—honoring Brahmī, the Mātṛkās, and Bhairavas through correct placement and worship, turning devotion into disciplined sacred practice.
Śikṣā/phonetics: the verse uses the technical distinction of hrasva (short) and dīrgha (long) vowels to classify groups of deities, reflecting mantra-science applied to ritual arrangement (nyāsa).