The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
चवर्गाद्यं बुधं श्यामं न्यसेद्वक्षस्थले बुधः । ढवर्गाद्यं पीतवर्णं कण्ठकूपे बृहस्पतिम् ॥ ४४ ॥
cavargādyaṃ budhaṃ śyāmaṃ nyasedvakṣasthale budhaḥ | ḍhavargādyaṃ pītavarṇaṃ kaṇṭhakūpe bṛhaspatim || 44 ||
বুদ্ধিমান সাধক চ-বর্গপ্রারম্ভক শ্যামবর্ণ বুধকে ধ্যান করে বক্ষস্থলে ন্যাস করিবে। আর ঢ-বর্গপ্রারম্ভক পীতবর্ণ বৃহস্পতিকে ধ্যান করে কণ্ঠকূপে ন্যাস করিবে।
Narada (teaching in a Vedanga/ritual-technical context, traditionally within Narada–Sanatkumara dialogue framing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It links cosmic forces (grahas) with embodied practice through nyāsa, showing how mantra and visualization sanctify the body as a ritual field aligned with planetary energies.
While primarily technical (nyāsa/Jyotiṣa), it supports bhakti-oriented worship by prescribing disciplined mantra-placement that prepares the devotee’s body-mind for focused remembrance and ritual offering.
Vedāṅga Jyotiṣa and mantra-vidhi are highlighted: specific grahas are assigned syllable-groups (vargas), colors, and precise bodily locations for nyāsa in ritual practice.