Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
विद्युन्निभा ब्रह्मसन्ध्या मृगारूढा चतुर्भुजा । चापेषुचर्मासिधरा पातु मे पावकीं दिशम् ॥ १४७ ॥
vidyunnibhā brahmasandhyā mṛgārūḍhā caturbhujā | cāpeṣucarmāsidharā pātu me pāvakīṃ diśam || 147 ||
বিদ্যুৎসম দীপ্তিময়ী, ব্রহ্মসন্ধ্যা-স্বরূপা, মৃগারূঢ়া চতুর্ভুজা, ধনু-বাণ, ঢাল ও খড়্গধারিণী দেবী যেন আমার পাৱকী (অগ্নি) দিক রক্ষা করেন।
Narada (in dialogue context with the Sanatkumara tradition; protective-vidhi style invocation)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It functions as a dik-rakṣā (directional protection) invocation: visualizing a radiant, weapon-bearing divine power and requesting protection of the Agni-ruled quarter, aligning the practitioner with order (ṛta) and ritual safety.
Bhakti appears here as reverent surrender through praise, visualization, and prayer—seeking refuge in divine guardianship rather than personal force, a devotional posture integrated into ritual practice.
It reflects ritual-application knowledge: dik-bandhana/dik-rakṣā (securing the quarters) and deity-dhyāna (iconographic visualization) used alongside mantra in ceremonial contexts, consistent with Vedāṅga-oriented technical practice.
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