Mantra-Māhātmya and Sādhana of Kārtavīryārjuna
Nyāsa, Yantra, Homa, and Dīpa-Vrata
दशास्येति च षड्भिः स्यात्पदैर्ङेतैः षडंगकम् । सिंच्यमानं युवतिभिः क्रीडंतं नर्मदाजले ॥ ५४ ॥
daśāsyeti ca ṣaḍbhiḥ syātpadairṅetaiḥ ṣaḍaṃgakam | siṃcyamānaṃ yuvatibhiḥ krīḍaṃtaṃ narmadājale || 54 ||
“দশাস্য-” দিয়ে শুরু হওয়া উক্তিটি ছয়টি পরিচিত শব্দে গঠিত ষড়ঙ্গক রূপে বুঝতে হবে। এতে (দেবতাকে) নর্মদা-জলে ক্রীড়ারত, যুবতীদের ছিটিয়ে দেওয়া জলে সিঞ্চিত হতে দেখা যায়।
Sanatkumara (in dialogue instruction to Narada on technical/Vedanga-style enumeration)
Vrata: none
Primary Rasa: shringara
Secondary Rasa: adbhuta
It links technical Vedic classification (a ṣaḍaṅga, six-part unit) with sacred imagery, showing that precise mantra-structure and devotional visualization can coexist in the Purāṇic-Vedāṅga tradition.
Bhakti is supported through contemplative imagery—envisioning the divine play in the Narmadā—while the verse simultaneously insists on correct verbal/metrical understanding, implying devotion grounded in disciplined recitation.
It highlights technical enumeration by pada (word/foot) and the identification of a passage as a six-part (ṣaḍaṅga) unit—useful for Chandas/recitation practice and for organizing mantra-texts in study.