Dīkṣā, Mantra-Types, Mantra-Doṣas, and Qualifications of Ācārya–Śiṣya
आदिमध्यावसानेषु हंसः प्रासादवाग्भवौ । हंसेंदुर्वा सकारो वा फकारो वर्म वा पुन ॥ २७ ॥
ādimadhyāvasāneṣu haṃsaḥ prāsādavāgbhavau | haṃseṃdurvā sakāro vā phakāro varma vā puna || 27 ||
আরম্ভে, মধ্যভাগে ও অন্তে ‘হংস’ বীজ স্থাপন করা যায়। অথবা ‘প্রাসাদ’ ও ‘বাগ্ভব’ গ্রহণ করা যায়; কিংবা ‘হংসেন্দু’, অথবা ‘স’ অক্ষর, অথবা ‘ফ’ অক্ষর, কিংবা পুনরায় ‘বর্ম’ নামক রক্ষাবীজ প্রয়োগ করা যায়।
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches the regulated placement of specific bīja-syllables (like haṃsa, vāgbhava, varma) within a mantra, emphasizing that spiritual efficacy depends on precise sound-structure and protective/clarifying mantra components.
In the Narada Purana’s technical sections, devotion is supported by disciplined mantra-practice: correct bīja usage is presented as a means to steady the mind and invoke divine grace, making bhakti more focused and effective.
Śikṣā (phonetics) and mantra-vidhi are implied—how syllables are inserted in specific positions (beginning/middle/end) and how protective bīja-s like “varma” are used as ritual-technical safeguards.