Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
केंद्रात्परं पणफरमापोक्लिममतः परम् । रक्तः श्वेतः शुकनिभः पाटलो धूम्रपांडुरौ ॥ १२ ॥
keṃdrātparaṃ paṇapharamāpoklimamataḥ param | raktaḥ śvetaḥ śukanibhaḥ pāṭalo dhūmrapāṃḍurau || 12 ||
কেন্দ্রের পর পণফর-গৃহ, আর তারও পর এই মতানুসারে আপোক্লিম-গৃহ। তাদের বর্ণ ক্রমে—রক্ত, শ্বেত, শুক-নিভ (সবুজাভ), পাটল (হালকা গোলাপি), ধূম্র ও পাণ্ডুর (ফ্যাকাশে পীতাভ)।
Sanatkumara (in instruction to Narada, in a Vedanga/astrological-technical passage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It shows that Moksha-Dharma teaching in the Narada Purana can include disciplined, shastric knowledge—here, a technical ordering of astrological house-types—emphasizing that right understanding (jnana) supports right living (dharma).
This particular verse is not directly devotional; it functions as a Jyotisha-style classification. Indirectly, it supports bhakti by encouraging orderly study of shastra as an aid to dharmic conduct and clarity of mind.
Vedanga Jyotisha: the grouping of houses into kendra (angles), paṇaphara (succedents), and āpoklima (cadents), along with traditional descriptive attributes (here, color/hue associations).