Jyotiṣa-śāstra Saṅgraha: Threefold Division, Gaṇita Methods, Muhūrta, and Planetary Reckoning
भुजकोटिकृतियोगमूलं कर्णश्च दोर्भवेत् । श्रुतिकृत्यंतरपद कोटिर्दोः कर्णवर्गयोः ॥ ४४ ॥
bhujakoṭikṛtiyogamūlaṃ karṇaśca dorbhavet | śrutikṛtyaṃtarapada koṭirdoḥ karṇavargayoḥ || 44 ||
ভুজার অগ্র-সন্ধিতে যে ‘যোগ’ গঠিত হয়, তার মূল ‘কর্ণ’ বলা হয়, আর ভুজা তারই অনুরূপ। কর্ণ ও ভুজার মধ্যবর্তী যে মধ্যপদ, সেটিই ‘কোটি’, যা ভুজা‑কর্ণের বর্গসমূহের সঙ্গে সম্পর্কিত।
Sanatkumara (teaching Narada in a technical/disciplinary register)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It frames the body as a disciplined field of practice, where precise ‘junctions’ and ‘positions’ (yoga, pada, koṭi) are mapped and contemplated to support ordered sadhana within moksha-dharma.
Indirectly: by emphasizing precision and inner order, it supports the devotee’s steadiness (niyama) so that devotional practices—japa, remembrance, and worship—are performed with focused attention rather than distraction.
A Shiksha/Vedanga-like technical method: identifying bodily ‘points’ and intermediate ‘steps’ (pada) used for structured recitation, ritual placement, or contemplative alignment in practice.