The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
तवर्गाद्यं श्वेतवर्णं घटिकायां तु भार्गवम् । नीलवर्णं पवर्गाद्यं नाभिदेशे शनैश्चरम् ॥ ४५ ॥
tavargādyaṃ śvetavarṇaṃ ghaṭikāyāṃ tu bhārgavam | nīlavarṇaṃ pavargādyaṃ nābhideśe śanaiścaram || 45 ||
ত-বৰ্গপ্ৰাৰম্ভক শ্বেতবৰ্ণ অক্ষৰসমূহক ভাৰ্গৱ (শুক্ৰ) ৰূপে ধ্যান কৰি ঘটিকাত (মণিবন্ধ-সন্ধিত) ন্যাস কৰিব। আৰু প-বৰ্গপ্ৰাৰম্ভক নীলবৰ্ণ অক্ষৰসমূহক শনৈশ্চৰ (শনি) ৰূপে ধ্যান কৰি নাভিদেশত ন্যাস কৰিব।
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a technical nyāsa framework where Sanskrit sound-groups (vargas) are installed on specific body regions with associated colors and ruling grahas, indicating that mantra practice aligns speech (śabda) with cosmic order (graha-devatā).
Though primarily technical, it supports bhakti-sādhana by prescribing disciplined mantra-nyāsa—helping the devotee internalize sacred sound and maintain focused remembrance during worship.
Vedāṅga-oriented ritual phonetics (Śikṣā) and applied jyotiṣa: consonant classes (ta-varga, pa-varga) are linked to colors and planetary deities (Śukra and Śani) for precise nyāsa placement.