चवर्गाद्यं बुधं श्यामं न्यसेद्वक्षस्थले बुधः । ढवर्गाद्यं पीतवर्णं कण्ठकूपे बृहस्पतिम् ॥ ४४ ॥
cavargādyaṃ budhaṃ śyāmaṃ nyasedvakṣasthale budhaḥ | ḍhavargādyaṃ pītavarṇaṃ kaṇṭhakūpe bṛhaspatim || 44 ||
বুদ্ধিমান সাধকে চ-বৰ্গপ্ৰাৰম্ভক শ্যামবৰ্ণ বুধক ধ্যান কৰি বক্ষস্থলত ন্যাস কৰিব। আৰু ঢ-বৰ্গপ্ৰাৰম্ভক পীতবৰ্ণ বৃহস্পতিকে ধ্যান কৰি কণ্ঠকূপত ন্যাস কৰিব।
Narada (teaching in a Vedanga/ritual-technical context, traditionally within Narada–Sanatkumara dialogue framing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It links cosmic forces (grahas) with embodied practice through nyāsa, showing how mantra and visualization sanctify the body as a ritual field aligned with planetary energies.
While primarily technical (nyāsa/Jyotiṣa), it supports bhakti-oriented worship by prescribing disciplined mantra-placement that prepares the devotee’s body-mind for focused remembrance and ritual offering.
Vedāṅga Jyotiṣa and mantra-vidhi are highlighted: specific grahas are assigned syllable-groups (vargas), colors, and precise bodily locations for nyāsa in ritual practice.