Narada Purana — Purva Bhaga, Shloka 65
Nirukta, Phonetic Variants, and Vedic Dhātu–Svara Taxonomy
स्वरितेतस्तनोः सप्त धातवः परिकीर्तिताः । मनुवन्वात्मनेभाषौ स्वरितेत्त्कृञुदाहृतः ॥ ६५ ॥
svaritetastanoḥ sapta dhātavaḥ parikīrtitāḥ | manuvanvātmanebhāṣau svaritettkṛñudāhṛtaḥ || 65 ||
স্বৰিত-স্বৰযুক্ত ‘তন্’ ধাতুৰ পৰা সাতটা ধাতুৰূপ পৰিকীৰ্তিত। আত্মনেপদ-প্ৰয়োগত ‘মনু’ আৰু ‘বন্’ কোৱা হৈছে; আৰু ‘কৃঞ্’ও এই প্ৰসঙ্গত উল্লেখিত।
Sanatkumara (teaching Narada in a technical Vedanga/Vyakarana context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
FAQs
It highlights that Moksha-oriented teaching in the Narada Purana also preserves Vedanga precision—showing that correct knowledge of sacred language (sound, accent, and grammar) supports accurate transmission of dharma and mantra.
Indirectly: by stressing correct linguistic forms and accent, it safeguards the integrity of recitation and scriptural study, which are foundational supports for sustained Vishnu-bhakti and disciplined hearing (śravaṇa) of śāstra.
Vyākaraṇa and Śikṣā: it references dhātu-derivations and ātmanepada usage, along with svarita accent—core tools for correct interpretation and pronunciation of Vedic/Sanskrit texts.