Narada Purana — Purva Bhaga, Shloka 10
Nirukta, Phonetic Variants, and Vedic Dhātu–Svara Taxonomy
कर्णेभिश्च यशोभाग्य इत्याद्याश्चतुरक्षरम् । देवासोऽथो सर्वदेवतातित्वावत इत्यपि ॥ १० ॥
karṇebhiśca yaśobhāgya ityādyāścaturakṣaram | devāso'tho sarvadevatātitvāvata ityapi || 10 ||
“কৰ্ণেভিঃ” আৰু “যশো-ভাগ্য” আদি দিয়ে আৰম্ভ হোৱা আৰু অন্যান্য চতুৰক্ষৰ (চাৰি অক্ষৰ) মন্ত্ৰ, তদ্ৰূপ “দেবাসঃ” আদি, আৰু “সৰ্বদেবতাতিত্ত্বাৱৎ” (সকলো দেবতাক অতিক্ৰম কৰা অৱস্থাৰে যুক্ত) — এইবোৰো ইয়াত বোধগম্য।
Narada (within the Narada–Sanatkumara dialogue context typical of this section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It indicates that specific short, potent mantra-phrases (noted by their opening words) are recognized as valid spiritual supports, capable of conferring worldly auspiciousness (fame, fortune) and pointing toward transcendence beyond limited deity-identifications.
By highlighting concise mantra-utterances, the verse supports bhakti as steady remembrance and recitation—devotion expressed through sound (nāma/mantra) that elevates the mind from benefits toward the highest, all-transcending divine reality.
The practical focus is on mantra-structure and phonetic precision—counting syllables (catur-akṣara) and identifying mantras by their incipits—linking to Śikṣā (phonetics) and Vyākaraṇa (correct forms) for accurate recitation.