अविमुक्तक्षेत्रमाहात्म्य — काशी-वाराणसी में मोक्ष, लिङ्ग-तीर्थ-मानचित्र, और उपासना-विधि
पूजया शतसाहस्रम् अनन्तं गीतवादिनाम् महास्नाने प्रसक्तं तु स्नानमष्टगुणं स्मृतम्
pūjayā śatasāhasram anantaṃ gītavādinām mahāsnāne prasaktaṃ tu snānamaṣṭaguṇaṃ smṛtam
পূজাৰে পুণ্য শতসাহস্ৰগুণ হয়, আৰু গীত-বাদ্যসহ স্তুতিত ই অনন্ত হয়। মহাস্নানত যি নিবিষ্ট, তাৰ স্নান অষ্টগুণ ফলদায়ক বুলি স್ಮৃতি কয়।
Suta Goswami (narrating to the sages of Naimisharanya)
It ranks key limbs of Liṅga-pūjā by fruit: worship (pūjā) yields vast merit, sacred music (gīta-vādya) amplifies devotion, and mahāsnāna is singled out as an eightfold multiplier—showing that purity and reverent praise intensify the offering to Pati (Śiva).
Śiva-tattva is approached as Pati who responds to bhakti expressed through pūjā and sacred sound; the “boundless” fruit points to His ananta (limitless) grace that loosens pāśa (bondage) upon the pashu (soul) through sincere, disciplined worship.
Mahāsnāna (the great ritual bath) is highlighted as a purificatory practice, and gīta-vādya (devotional singing/instrumental praise) as a supportive limb of pūjā—both aligning the pashu toward śuddhi (purity) and steadiness of mind akin to Pāśupata-oriented discipline.