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Varaha Purana 66.5 — Adhyaya 66, Shloka 5

Nārada’s Journey to Śvetadvīpa and the Means of Attaining the Lord through the Pañcarātra

एवं चिन्तयतस्तस्य चिन्ता कृष्णं प्रति प्रभो । आराधयामि च कथं शङ्खचक्रगदाधरम् ॥ ६६.५ ॥

evaṁ cintayatastasya cintā kṛṣṇaṁ prati prabho | ārādhayāmi ca kathaṁ śaṅkhacakragadādharam || 66.5 ||

وبينما كان يتفكّر هكذا، اتجهت خواطره إلى كريشنا: «يا ربّ، كيف لي أن أعبد حامل الصدفة والقرص والهراوة؟».

एवम्thus
एवम्:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootएवम् (अव्यय)
Formअव्यय (प्रकारवाचक क्रियाविशेषण)
चिन्तयतःof him while thinking
चिन्तयतः:
Sambandha (सम्बन्ध/षष्ठी)
TypeVerb
Rootचिन्तय् (धातु)
Formशतृ-प्रत्ययान्त वर्तमानकृदन्त (present participle), पुल्लिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति, एकवचन; ‘of (him) thinking’
तस्यof him
तस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुल्लिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति, एकवचन
चिन्ताa thought / concern
चिन्ता:
Karta (कर्ता)
TypeNoun
Rootचिन्ता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन
कृष्णम्Kṛṣṇa
कृष्णम्:
Karma (कर्म)
TypeNoun
Rootकृष्ण (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया-विभक्ति, एकवचन
प्रतिtowards / concerning
प्रति:
Sampradana (सम्प्रदान/प्रत्यर्थ)
TypeIndeclinable
Rootप्रति (अव्यय)
Formअव्यय (उपसर्ग/पूर्वसर्गवत्; here: preposition with accusative)
प्रभोO lord
प्रभो:
Sambodhana (सम्बोधन)
TypeNoun
Rootप्रभु (प्रातिपदिक)
Formपुल्लिङ्ग, सम्बोधन-विभक्ति, एकवचन
आराधयामिI worship / propitiate
आराधयामि:
Kriya (क्रिया)
TypeVerb
Rootआ-राध् (धातु)
Formलट्-लकार (वर्तमान), परस्मैपद, उत्तमपुरुष, एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चयार्थक निपात)
कथम्how?
कथम्:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootकथम् (अव्यय)
Formअव्यय (प्रश्नवाचक क्रियाविशेषण)
शङ्खचक्रगदाधरम्the bearer of conch, discus, and mace
शङ्खचक्रगदाधरम्:
Karma (कर्म)
TypeAdjective
Rootशङ्ख + चक्र + गदा + धर (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया-विभक्ति, एकवचन; समासः षष्ठी-तत्पुरुषः (शङ्ख-चक्र-गदा-धरः = ‘bearer of conch, discus, mace’)

Varāha (default dialogue framework; explicit speaker not stated in the excerpt)

Varaha Avatara Context: {"is_varaha_focus":true,"aspect_highlighted":"dialogue","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"devotee","bhu_devi_state":"None","key_question":"What is the proper method (kathām) to worship Kṛṣṇa/Viṣṇu, the Śaṅkha-Cakra-Gadā-dhara?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Mathurā (general, via Kṛṣṇa-reference)","parikrama_context":"None","krishna_connection":"Explicit: mind turns toward Kṛṣṇa; iconography of Viṣṇu is invoked while naming Kṛṣṇa, foreshadowing Mathurā-centered bhakti and later Kṛṣṇa-līlā associations."}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The shift from abstract identity-question to concrete upāsanā: the supreme is approached through recognizable iconographic markers (śaṅkha, cakra, gadā), bridging nirguṇa-tattva inquiry with saguṇa-bhakti practice.","yajna_varaha_imagery":"Conch/discus/mace function as ritual-cosmic emblems: śaṅkha as primordial sound/śabda, cakra as time/order (ṛta), gadā as sovereign power sustaining dharma.","vedantic_connection":"Upāsanā as a means to stabilize mind for higher knowledge; devotion to saguṇa Nārāyaṇa/Kṛṣṇa as doorway to realizing the supreme reality."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Bhakti praxis / Intentionality in worship","core_concept":"Right worship begins with right orientation of mind and clarity of iṣṭa-devatā; iconography guides contemplation.","practical_application":"Adopt a concrete dhyāna-mūrti (śaṅkha-cakra-gadādhara), cultivate single-pointed remembrance, and seek instruction on pūjā/upāsanā rather than remaining in abstract debate."}

Subject Matter: ["Devotional practice","Theology (iconography of Viṣṇu)","Ethics (intentionality in worship)"]

Primary Rasa: bhakti

Secondary Rasa: śānta

Type: Sacred region (implied)

Related Themes: Varāha Purāṇa 66.66.6 (Nārāyaṇa as the one through whom the supreme is known)

Visual Art Cues: {"scene_description":"Varāha in contemplation, gaze lifted inward, visualizing Kṛṣṇa/Viṣṇu as the four-armed Lord holding conch, discus, and mace; the moment is a pivot from doubt to devotion.","item_prompts":["meditating Varāha","vision of four-armed Viṣṇu/Kṛṣṇa","śaṅkha","cakra","gadā","radiant halo"],"kerala_mural_prompt":"Kerala mural: Varāha seated in yogic poise; above, a luminous Viṣṇu form with śaṅkha-cakra-gadā; rich earthy palette, devotional serenity.","tanjore_prompt":"Tanjore: embossed gold halo around the four-armed Lord; Varāha below in prayerful posture; emphasize ornaments and the three weapons clearly.","mysore_prompt":"Mysore: refined facial expressions, soft gradients; Varāha’s inward gaze; the iconographic attributes rendered with classical precision.","pahari_prompt":"Pahari: dreamy, lyrical vision-cloud containing Viṣṇu; Varāha on a riverbank/forest edge, hands folded, gentle devotional mood."}

Audio Atmosphere: {"recitation_mood":"Devotional inquiry","suggested_raga":"Madhyamāvati","pace":"medium","voice_tone":"supplicatory, warm, with clear articulation of śaṅkha-cakra-gadādhara"}

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It reflects a common Purāṇic literary motif: inward deliberation leading to a question about proper worship, and it preserves standard Vaiṣṇava iconographic epithets (śaṅkha-cakra-gadā-dhara) used across early medieval Sanskrit devotional literature.

No geographic location is named in this verse; the content is thematic (devotional contemplation) rather than topographical.

The verse foregrounds intentionality and humility in religious practice: the speaker acknowledges uncertainty and seeks the correct method of worship rather than assuming authority.

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