The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
सर्वाङ्गुलीषु विन्यस्यावशिष्टं तलयोर्न्यसेत् । शिरोललाटे भ्रूमध्ये नेत्रयोः कर्णयोस्तथा ॥ २१ ॥
sarvāṅgulīṣu vinyasyāvaśiṣṭaṃ talayornyaset | śirolalāṭe bhrūmadhye netrayoḥ karṇayostathā || 21 ||
بعد أن يُوضَعُ (المانترا/القوة) على جميع الأصابع، يُوضَعُ ما تبقّى على راحتي اليدين؛ وكذلك على الرأس والجبهة، وفي موضع ما بين الحاجبين، وعلى العينين، وعلى الأذنين أيضًا.
Sanatkumara (teaching Narada the technical procedure of nyāsa)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—ritually “installing” mantra-śakti in the body—so the practitioner becomes a fit vessel for japa and worship, turning the senses and mind toward sacred awareness.
By sanctifying hands, head, and sense-organs through nyāsa, the devotee prepares the body and perception for focused upāsanā; this supports steady remembrance and reverent service central to bhakti.
Practical ritual-technology: a step-by-step nyāsa/vinyāsa sequence (karanyāsa/anga-nyāsa style) specifying precise bodily loci—fingers, palms, head, brow-center, eyes, and ears.