The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
नृसिंहसान्निध्यकरो न्यासो दशविधो यथा । कराङ्घ्र्यष्टाद्यङ्गुलीषु पृथगाद्यन्तपर्वणोः ॥ २० ॥
nṛsiṃhasānnidhyakaro nyāso daśavidho yathā | karāṅghryaṣṭādyaṅgulīṣu pṛthagādyantaparvaṇoḥ || 20 ||
النياسا التي تُحْضِرُ القُرْبَ والحضورَ الداني لِلرَّبِّ نَرَسِمْهَا هي عشرةُ أنواعٍ كما وردت في الشريعة—تُؤدَّى منفصلةً على أصابع اليدين والقدمين الثمانية، عند المفصل الأول والمفصل الأخير.
Sanatkumara (teaching Narada the technical procedure of nyāsa)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that nyāsa is not merely a physical gesture but a disciplined mantra-installation meant to invoke the living presence (sānnidhya) of Lord Nṛsiṁha in the practitioner’s body and awareness.
By prescribing a precise devotional ritual (nyāsa) directed to Nṛsiṁha, it frames bhakti as embodied remembrance—bringing the Lord near through reverent, rule-based mantra practice.
It highlights ritual-technical procedure—systematic nyāsa placement on specific body points (fingers and joints), reflecting the Narada Purana’s Book 1.3 focus on applied sacred sciences and correct ritual method.