The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कपोलकर्णमूले च चिबुकोर्द्ध्वाधरोष्ठके । कण्ठे घोणे च भुजयोर्हृत्तनौ नाभिमण्डले ॥ २२ ॥
kapolakarṇamūle ca cibukorddhvādharoṣṭhake | kaṇṭhe ghoṇe ca bhujayorhṛttanau nābhimaṇḍale || 22 ||
على الخدّ وعند أصل الأذن؛ وعلى الذقن وعلى الشفة العليا والسفلى؛ وعلى الحلق والأنف؛ وعلى الذراعين؛ وفي موضع القلب؛ وعلى الخصر النحيل ودائرة السرّة—فهذه هي المواضع المعيّنة.
Sanatkumara (in dialogue with Narada, within Vedanga-Shiksha instruction)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes disciplined, embodied precision in sacred recitation—linking specific bodily regions to the practitioner’s awareness so that mantra-ucchāraṇa (utterance) remains controlled, pure, and effective in ritual and study.
While not a direct bhakti verse, it supports bhakti practice by safeguarding mantra integrity: accurate chanting and attentive bodily discipline are presented as practical foundations for worship, japa, and ritual offerings.
Vedāṅga-Śikṣā: attention to pronunciation mechanics and recitation discipline, using enumerated bodily points as a technical aid for correct chanting and controlled vocal production.