Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
अमुकावरणांते तु देवता इति संवदेत् । सालंकारास्ततः पश्चात्सांगाः सपरिचारिकाः ॥ ७९ ॥
amukāvaraṇāṃte tu devatā iti saṃvadet | sālaṃkārāstataḥ paścātsāṃgāḥ saparicārikāḥ || 79 ||
في ختام طقس الإحاطة/الستر (آوَرَنا) المعيَّن، يُقال: «هذه هي الإلهة/الإله». ثم بعد ذلك تُستحضَر أو تُخاطَب بوصفها متحلّيةً بالحُليّ، مع أعضائها (الأَنْغا) ومصحوبةً بخادماتٍ مواظبات على الخدمة.
Narada (instructional narration within a technical/ritual section; traditionally framed in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that ritual acts culminate in clear recognition and declaration of the presiding divinity, followed by devotional visualization of the deity in complete, auspicious form.
By directing the practitioner to name the deity and then contemplate the deity as beautifully adorned and attended, it turns technical procedure into reverent, personal devotion through dhyāna (sacred visualization).
It reflects mantra-prayoga and ritual sequencing—how and when to utter a defining mantra/statement and how to proceed to deity-dhyāna with prescribed attributes (a procedural, Vedanga-like discipline).