Devapūjā-krama: Ārghya-saṃskāra, Maṇḍala–Nyāsa, Mudrā-pradarśana, Āvaraṇa-arcana, Homa, Japa, and Kṣamāpaṇa
शुक्लश्वेतसितश्यामकृष्णरक्तार्चिषः क्रमात् । वराभयकरा ध्येयाः स्वस्वदिक्ष्वं गशक्तयः ॥ ७८ ॥
śuklaśvetasitaśyāmakṛṣṇaraktārciṣaḥ kramāt | varābhayakarā dhyeyāḥ svasvadikṣvaṃ gaśaktayaḥ || 78 ||
وبالترتيب تكون أشعتُهنّ: أبيض، أبيض ساطع، أبيض شاحب، أزرق داكن، أسود، وأحمر. وهنّ حاملاتُ مُدْرَتَي منحِ العطيةِ وعدمِ الخوف؛ فتُتأمَّلُ هذه الشَّكتياتُ (قوى الأَنْغا) في جهاتِها الخاصة.
Sanatkumara (teaching Narada in the Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches a precise dhyāna method: visualize the deity’s śaktis by direction, color, and mudrā (boon and fearlessness), aligning the practitioner’s mind with an ordered cosmic structure.
Bhakti here is expressed as focused meditation (upāsanā): contemplating compassionate protection (abhaya) and grace (vara) through clearly defined divine forms, which stabilizes devotion and inner trust.
It reflects technical ritual-visualization rules—dik-viniyoga (directional assignment) and varṇa/arci (color-radiance coding)—commonly used in mantra-upāsanā and yantra/nyāsa style practices.