Adhyaya 63 — The Birth of Svarocis and the Rescue of Manoramā: The Astra-Heart and the Healing of Curses
दत्तान्तु तां तदा कन्यामभिशान्त्य च भामिनीम् ।
जगाम दिव्यया गत्यागन्धर्वः स्वपुरं ततः ॥
dattāntu tāṃ tadā kanyām abhiśāntya ca bhāminīm / jagāma divyayā gatyā gandharvaḥ svapuraṃ tataḥ
وبعد أن أُعطيت الفتاة على هذا النحو، وبعد أن هدّأ السيدة المستبدّة بها العاطفة، انصرف الغندرفا حينئذٍ في مسارٍ إلهي إلى مدينته هو.
Before departure or closure, one should settle emotional turbulence; pacification (śānti) is portrayed as a necessary completion of any dharmic resolution.
Manvantara narrative texture: celestial beings and their movements are characteristic of Purāṇic manvantara storytelling, supporting the era’s moral-legendary record.
“Divine movement” suggests a shift from human entanglement to a higher plane—symbolically, after dharma is set right, consciousness ‘moves upward’ from conflict to order.