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Agni Purana — Yoga & Brahma-vidya, Shloka 18

Chapter 373 — ध्यानम्

Dhyāna / Meditation

ध्यानमार्गेणेति ख , ज च ध्यायेत्त्रिमण्डलं पूर्वं कृष्णं रक्तं सितं क्रमात् सत्त्वोपाधिगुणातीतः पुरुषः पञ्चविंशकः

dhyānamārgeṇeti kha , ja ca dhyāyettrimaṇḍalaṃ pūrvaṃ kṛṣṇaṃ raktaṃ sitaṃ kramāt sattvopādhiguṇātītaḥ puruṣaḥ pañcaviṃśakaḥ

«بطريق التأمّل»—هكذا تقرأ مخطوطتا Kha وJa. ينبغي أولًا التأمّل في الدوائر الثلاث على الترتيب: السوداء، فالحمراء، فالبيضاء. وفوق الغونات، ومشروطًا بالساتفا وحدها بوصفها أوبادهي (قيدًا/واسطة)، يوجد البوروشا (Puruṣa) المعدود مبدأً خامسًا وعشرين.

ध्यान-मार्गेणby the path of meditation
ध्यान-मार्गेण:
करण (Instrument/Means/करण)
TypeNoun
Rootध्यान (प्रातिपदिक) + मार्ग (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (करण/3rd case), एकवचन; ‘ध्यानस्य मार्गः’
इतिthus
इति:
सम्बन्ध (Quotative/सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formउद्धरण/समाप्तिसूचक अव्यय (quotative particle)
(marker: kha)
:
सम्बन्ध (Textual marker/सम्बन्ध)
TypeIndeclinable
Rootख (अव्यय/संकेत)
Formपाठभेद-सूचक/संकेताक्षर (textual marker)
(marker: ja)
:
सम्बन्ध (Textual marker/सम्बन्ध)
TypeIndeclinable
Rootज (अव्यय/संकेत)
Formपाठभेद-सूचक/संकेताक्षर (textual marker)
and
:
सम्बन्ध (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय (conjunction)
ध्यायेत्should meditate
ध्यायेत्:
क्रिया (Main action/क्रिया)
TypeVerb
Rootध्यै (धातु)
Formविधिलिङ् (Optative), परस्मैपद, प्रथमपुरुष, एकवचन
त्रि-मण्डलम्the threefold circle/disc
त्रि-मण्डलम्:
कर्म (Object/कर्म)
TypeNoun
Rootत्रि (संख्या-प्रातिपदिक) + मण्डल (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (कर्म/2nd case), एकवचन; द्विगु (three circles/discs)
पूर्वम्first
पूर्वम्:
क्रियाविशेषण (Temporal/क्रियाविशेषण)
TypeIndeclinable
Rootपूर्व (प्रातिपदिक)
Formकालवाचक अव्यय (temporal adverb)
कृष्णम्black
कृष्णम्:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootकृष्ण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (of ‘मण्डलम्’ understood)
रक्तम्red
रक्तम्:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootरक्त (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण
सितम्white
सितम्:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootसित (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण
क्रमात्in sequence
क्रमात्:
क्रियाविशेषण (Manner/क्रियाविशेषण)
TypeIndeclinable
Rootक्रम (प्रातिपदिक)
Formपञ्चमी-एकवचनरूपेण अव्ययीभावार्थे (adverbial ‘in order’)
सत्त्व-उपाधि-गुण-अतीतःbeyond the qualities conditioned by sattva
सत्त्व-उपाधि-गुण-अतीतः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootसत्त्व (प्रातिपदिक) + उपाधि (प्रातिपदिक) + गुण (प्रातिपदिक) + अतीत (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; विशेषण (of ‘पुरुषः’); ‘सत्त्वोपाधेः गुणान् अतीतः’ (beyond qualities conditioned by sattva)
पुरुषःthe Puruṣa (spirit/person)
पुरुषः:
कर्ता (Subject/कर्ता)
TypeNoun
Rootपुरुष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (कर्ता/1st case), एकवचन
पञ्च-विंशकःthe twenty-fifth (principle)
पञ्च-विंशकः:
विशेषण (Qualifier/विशेषण)
TypeAdjective
Rootपञ्च (संख्या-प्रातिपदिक) + विंशक (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; द्विगु (twenty-five) विशेषण (of ‘पुरुषः’)

Lord Agni (narrating the doctrine to Sage Vasiṣṭha in the Agni Purana’s instructional dialogue frame)

Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Tantra","practical_application":"Employ color-and-form visualization (trimandala) as a meditative ladder leading from guṇa contemplation toward recognition of Puruṣa as the 25th tattva, beyond guṇas.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Procedure","entry_title":"Trimandala Dhyāna and Recognition of Puruṣa as the 25th Tattva","lookup_keywords":["trimandala","kṛṣṇa-rakta-sita","pañcaviṃśa-tattva","puruṣa","guṇātīta"],"quick_summary":"Meditate on three circles—black, red, white—in sequence; through this dhyāna one discerns Puruṣa, counted as the 25th principle, transcending guṇas (yet approached via sattva as the clearest upādhi)."}

Concept: Sāṅkhya tattva scheme: Puruṣa is the 25th, guṇātīta; meditation uses sattva as the most transparent conditioning (upādhi) to intuit the witness beyond prakṛti’s guṇas.

Application: In dhyāna: visualize three concentric maṇḍalas (black→red→white), then let even the white dissolve into pure witnessing awareness; use the sequence to stabilize attention and refine perception of the seer.

Khanda Section: Yoga-Dhyana / Sankhya-Tattva (Meditation on the Trimandala and the 25 Tattvas)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A meditator visualizing three concentric circles: outer black, middle red, inner white, culminating in a subtle luminous presence labeled by implication as Puruṣa beyond guṇas; the circles float in the inner space of the heart or between the brows.","kerala_mural_prompt":"Kerala mural: bold flat colors, three concentric mandalas (black-red-white) behind a seated yogin, stylized heart-lotus motif, traditional ornamental borders, sacred geometry emphasis.","tanjore_prompt":"Tanjore: concentric mandala with gold leaf outlines; white center rendered with pearl-like sheen; yogin with gold halo; rich reds and deep blacks, temple-like framing.","mysore_prompt":"Mysore: precise geometric mandala diagram with subtle shading; yogin in correct posture; didactic clarity showing sequence black→red→white; gentle background wash.","mughal_miniature_prompt":"Mughal miniature: a sage in meditation with a translucent overlay of three concentric colored discs hovering before him; fine detailing, delicate gradients, scholarly marginalia feel."}

Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Jog","pace":"slow","voice_tone":"contemplative"}

Sandhi Resolution Notes: dhyānamārgeṇeti = ध्यानमार्गेण + इति; dhyāyettrimaṇḍalaṃ = ध्यायेत् + त्रिमण्डलम्; sattvopādhiguṇātītaḥ = सत्त्व-उपाधि-गुण-अतीतः; pañcaviṃśakaḥ = पञ्च-विंशकः. ‘ख, ज’ are treated as पाठसंकेताक्षर (textual markers) in the given line.

Related Themes: Agni Purana: Sāṅkhya 25-tattva expositions; Agni Purana: dhyāna procedures and subtle visualization methods

P
Puruṣa
G
Guṇas (sattva-rajas-tamas)
S
Sāṅkhya (pañcaviṃśati-tattva framework)
T
Trimaṇḍala (three circles in meditation)

FAQs

It teaches a precise dhyāna-vidhi: visualizing a trimaṇḍala (three concentric spheres/circles) in a fixed color-sequence—black, red, then white—leading the meditator toward contemplation of Puruṣa as the 25th Sāṅkhya principle.

Alongside ritual and dharma topics, the Agni Purana also preserves technical yogic visualization and Sāṅkhya metaphysics (the 25 tattvas), showing its breadth as a compendium of practical sādhanā and systematic philosophy.

The sequence culminates in contemplation of the guṇātīta Puruṣa—shifting identity from guṇa-bound prakṛti to pure consciousness—supporting inner purification and liberation-oriented insight (viveka) rather than merely worldly merit.