प्रकृतिः पुरुषश्चैव पञ्चविंशः सदाशिवः । पञ्चपञ्चभिरेततैस्तु निष्पन्नं गृहमुच्यते
prakṛtiḥ puruṣaścaiva pañcaviṃśaḥ sadāśivaḥ | pañcapañcabhiretataistu niṣpannaṃ gṛhamucyate
有自性(Prakṛti)与神我(Puruṣa),并以第二十五者为常住湿婆(Sadāśiva)。由这些“五与五”的诸组,所谓“宅舍”(具身之构架)便被说为生成。
Sutanu
Scene: A cosmic architectural metaphor: the body as a house built from tattva-bricks; above it shines Sadāśiva as the keystone/crown, with prakṛti and puruṣa depicted as complementary pillars.
Seeing the body as a constructed ‘house’ of principles helps detach from it and orient toward Sadāśiva as the highest reality.
No tīrtha is mentioned; the focus is metaphysical (tattva) rather than sacred geography.
None; it is a doctrinal statement supporting contemplative understanding.