तदहं पुत्र दुर्भाग्या महीसागरसंगमे । निमज्जीष्ये वरं मृत्युर्जीविते किं फलं मम । त्वमप्येवं महामौनी नन्द भक्तो हरेश्चिरम्
tadahaṃ putra durbhāgyā mahīsāgarasaṃgame | nimajjīṣye varaṃ mṛtyurjīvite kiṃ phalaṃ mama | tvamapyevaṃ mahāmaunī nanda bhakto hareściram
因此,我的儿子,我不幸至极,将投身于陆地与海洋的交汇处;死亡胜过苟活。我活着还有什么意义?而你——伟大的沉默者,难陀(Nanda)啊——长久以来一直是哈里(Hari)的信徒。
Aitareya’s mother
Tirtha: महीसागरसंगम
Type: sangam
Scene: A sorrowful mother at a windswept seashore-sangam, gesturing toward the waves as if to enter them; the son stands nearby, calm and attentive; distant horizon, confluence imagery, and a devotional aura despite despair.
Despair can arise even near devotion; the Purāṇic arc typically redirects such hopelessness toward right understanding, patience, and dharma.
A “mahī-sāgara-saṅgama” (meeting of land and ocean) is referenced, suggestive of a coastal saṅgama tīrtha, but the text here does not name a specific location.
None; the verse mentions an intended act of self-drowning, which is not a dharmic prescription.