मायागणपतेश्चाथ ढुंढिप्रादुर्भवस्ततः । विष्णुमायाप्रपंचोथ दिवोदासविसर्जनम्
māyāgaṇapateścātha ḍhuṃḍhiprādurbhavastataḥ | viṣṇumāyāprapaṃcotha divodāsavisarjanam
随后叙述摩耶伽那钵底(Māyāgaṇapati)的事迹;继而是Ḍhuṃḍhi的显现。接着展开毗湿奴(Viṣṇu)之幻力(māyā)的铺陈,随后是提沃达萨(Divodāsa)的离去(被遣离)。
Skanda (deduced Kāśīkhaṇḍa setting)
Tirtha: Ḍhuṃḍhi (Gaṇeśa) / Ḍhuṃḍhirāja tradition; Māyāgaṇapati (contextual)
Type: temple
Listener: Ṛṣis/assembly (contextual)
Scene: A narrative montage: Māyāgaṇapati as a wondrous, illusion-weaving Gaṇeśa; Ḍhuṃḍhi manifesting as a powerful Gaṇeśa presence; a subtle depiction of Viṣṇu’s māyā as a veil over events; Divodāsa departing Kāśī, dignified yet fated.
The kṣetra’s destiny is guided by divine agency—Gaṇeśa’s manifestations and Viṣṇu’s māyā shape historical-spiritual transitions tied to Kāśī.
Kāśī/Avimukta as a whole, via its Gaṇeśa traditions (Ḍhuṃḍhi) and the Divodāsa-linked sacred history.
No explicit prescription; it points to narratives explaining the presence and role of Gaṇeśa (Ḍhuṃḍhi) and divine māyā in the kṣetra.