संगीतस्य सवाद्यस्य तस्य लास्यस्यपुण्यतः । तत्रेशाग्रे कृतस्येह जागरे शिवरात्रिजे
saṃgītasya savādyasya tasya lāsyasyapuṇyataḥ | tatreśāgre kṛtasyeha jāgare śivarātrije
由于那伴随乐器的音乐之功德,以及那柔美之舞的功德——皆在湿婆夜(Śivarātri)守夜之时,于主前所作——
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Śivarātri-jāgara at Ratneśvara (Kāśī)
Type: temple
Listener: Ṛṣi audience (frame)
Scene: A night-long Śivarātri vigil: rows of lamps, devotees seated in meditation, a small ensemble singing with vīṇā and drums, the dancer offering lasya before the liṅga; the Lord’s presence felt as a subtle radiance above the shrine.
Worship offered with devotion—especially during Śivarātri vigil—generates powerful merit, even when expressed through sacred arts.
The setting is in Kāśī before the Lord (Īśa), in the continuing Ratneśvara-liṅga narrative.
Śivarātri jāgaraṇa (night vigil) is explicitly referenced, along with devotional performance before Śiva.