मृडान्याभिहि तं सर्वं कृत्वैतद्विश्वगो विभुः । विश्वनाथो विवेशाथ प्रासादं स्वमतर्कितः
mṛḍānyābhihi taṃ sarvaṃ kṛtvaitadviśvago vibhuḥ | viśvanātho viveśātha prāsādaṃ svamatarkitaḥ
依照弥陀罗尼(Mṛḍānī,帕尔瓦蒂)所言尽皆办妥后,那遍一切处的大主——毗湿瓦那他(Viśvanātha)——遂入其宫殿,所愿已遂。
Contextual attribution: Skanda narrating events in Kāśī concerning Viśvanātha
Scene: Viśvanātha, having fulfilled what Mṛḍānī instructed, enters his palace—calm closure after a sacred act; attendants and temple-palace architecture frame the scene.
Divine acts in tīrtha narratives unfold through purposeful resolve, often guided by the Goddess, revealing harmony of Śiva–Śakti.
Kāśī through Viśvanātha, the city’s supreme Śaiva presence.
No direct ritual is prescribed; it concludes a narrated sequence of actions connected with the tīrtha’s establishment/glory.
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