सामगाश्च प्रकुर्वंति स्तोत्राणि विविधानि च । शास्त्राणि च तथा याज्यापुरोनुवाक्या स्तथा
sāmagāśca prakurvaṃti stotrāṇi vividhāni ca | śāstrāṇi ca tathā yājyāpuronuvākyā stathā
而《娑摩吠陀》的歌者又演唱种种赞颂之歌(stotra);同样也行诸仪式诵文——经论之段(śāstra)、祭献用的yājyā句,以及作为引诵的puronuvākyā偈。
Narrator (contextual; not explicit in snippet)
Tirtha: Dharmāraṇya
Type: kshetra
Scene: Udgātṛ-like singers render Sāmavedic melodies while other priests recite yājyā and puronuvākyā; the assembly appears like a living yajña without visible fire—sound itself becomes the offering.
Sacred sound is ritual power: orderly liturgical chant and mantra uphold yajña and the cosmic order it mirrors.
Dharmāraṇya is indirectly praised as a place where complete Vedic ritual culture is actively practiced.
Performance of Sāma-stotras and yajña-related recitations including yājyā and puronuvākyā formulas.
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