लिङ्ग-बेर-प्रतिष्ठाविधिः / The Procedure for Installing the Liṅga and the Bera
Icon
ते चाष्टमूर्तयः कल्प्याः पूर्वादिपरितः स्थिताः । चत्वारश्चाथ वा दिक्षु स्वध्येतारस्सजापकाः
te cāṣṭamūrtayaḥ kalpyāḥ pūrvādiparitaḥ sthitāḥ | catvāraścātha vā dikṣu svadhyetārassajāpakāḥ
当如法观想彼八种形相,自东方起,周遍四方而安住。诸方又有四位侍从——诵持吠陀者与修行念诵(japa)者——恒常专注于神圣的反复持诵。
Suta Goswami (narrating to the sages at Naimisharanya, within the Vāyavīyasaṃhitā discourse)
Tattva Level: pati
Shiva Form: Sadāśiva
It teaches a contemplative ritual-vision: Śiva is approached through His Aṣṭamūrti, pervading the cosmos in ordered directions, while svādhyāya and japa purify the bound soul (paśu) and orient it toward Pati (Śiva).
The verse supports saguna-upāsanā by prescribing structured contemplation—placing Śiva’s forms around (as a mandalic arrangement). Such visualization naturally complements Liṅga worship, where the Liṅga is the central focus and the surrounding directions are honored through mantra and reverent attendance.
Directional contemplation of Śiva’s eight forms along with disciplined japa (e.g., Panchākṣarī “Om Namaḥ Śivāya”) and svādhyāya (sacred recitation) as steady daily practice.