शिवतत्त्वे परापरभावविचारः
Inquiry into Śiva’s Principle and the Parā–Aparā Paradox
मूर्त्यात्मैव तदा मूर्तिः शिवस्यास्य भवेदिति । तस्य मूर्तौ मूर्तिमतोः पारतंत्र्यं हि निश्चितम्
mūrtyātmaiva tadā mūrtiḥ śivasyāsya bhavediti | tasya mūrtau mūrtimatoḥ pārataṃtryaṃ hi niścitam
于是,这一形相确被宣说为湿婆自身之精髓。因为在此形相中,具形者对“形相”(显现之相)的依凭,已被确立无疑。
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
It affirms that Śiva’s manifest form (mūrti/linga) is not merely symbolic but a real spiritual support through which the bound soul becomes oriented to Pati (Śiva). In Shaiva Siddhanta terms, grace is approached through a concrete upāya (means), stabilizing devotion and knowledge.
The verse legitimizes Saguna worship by stating that Śiva is truly present as ‘form-essence’ in the manifest mode. Hence linga/mūrti worship becomes a disciplined way for the pashu (individual soul) to relate to Pati, reducing egoic autonomy and cultivating surrender.
Regular linga/mūrti upāsanā with mantra-japa (especially the Panchakshara, “Om Namaḥ Śivāya”) and steady dhyāna on Śiva’s form is implied—training the mind to rest in Śiva and depend on His grace for liberation.
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