बाणस्य शोकः शिवस्मरणं च — Bāṇa’s Grief and the Turn to Śiva-Remembrance
ततो नृत्यं महत्कृत्वा भगवान्भक्तवत्सलः । उवाच बाणं संहृष्टो नृत्य गीतप्रियो हरः
tato nṛtyaṃ mahatkṛtvā bhagavānbhaktavatsalaḥ | uvāca bāṇaṃ saṃhṛṣṭo nṛtya gītapriyo haraḥ
随后,慈爱眷顾 भक्त众的圣尊行起宏伟之舞。喜悦的诃罗,爱舞亦爱圣歌,便对班那开口说道。
Narrator (Sūta Gosvāmin) describing Lord Śiva’s action; the verse also introduces Śiva speaking to Bāṇa
Tattva Level: pati
Shiva Form: Naṭarāja
Type: stotra
Role: teaching
Offering: pushpa
It highlights Śiva as bhaktavatsala—His grace is drawn by devotion. The Lord’s dance signifies conscious divine play (līlā) that uplifts the devotee and dissolves fear, reminding that the Supreme responds with compassion even amid conflict.
The verse presents Saguna Śiva—Hara who dances, rejoices, and speaks. In Linga-worship, devotees honor the same Lord through sound (mantra, stotra) and rhythm (kīrtana), treating music and devotion as direct offerings to the Linga’s living presence.
Offer devotional singing (kīrtana/stotra) and mantra-japa—especially the Panchākṣarī “Om Namaḥ Śivāya”—as worship. Keeping a steady rhythm of breath and mantra is a meditative way to align with Śiva’s nṛtya (cosmic harmony).