Shiva Purana — Rudra Samhita, Shloka 62
त्रिपुरवर्णनम् (Tripura-varṇanam) — “Description of Tripura”
सूर्यमण्डलसंकाशैर्विमानैस्सर्वतोमुखैः । पद्मरागमयैश्चैव शोभितं चन्द्रसन्निभैः
sūryamaṇḍalasaṃkāśairvimānaissarvatomukhaiḥ | padmarāgamayaiścaiva śobhitaṃ candrasannibhaiḥ
四面皆以空中飞宫（vimāna）庄严，其光辉如日轮，面向诸方。又有以莲华红宝（padmarāga，红宝石）所成之楼阁，更放月华般的清辉。
Suta Goswami
Tattva Level: pasha
Shiva Form: Tripurāntaka
Sthala Purana: Continues the portrayal of Tripura’s brilliance—sun-like vimānas and moonlike ruby radiance—underscoring the seductive luminosity of māyā prior to Śiva’s dissolution; no direct Jyotirliṅga linkage.
FAQs
The verse uses cosmic imagery—sunlike brilliance and moonlike serenity—to evoke the majesty of the divine order surrounding Shiva’s līlā, reminding the seeker that even celestial splendor is ultimately a sign pointing toward the Supreme (Pati) rather than the final goal itself.
Such descriptions support Saguna-bhakti by giving the mind a sacred, elevated vision; in Shaiva Siddhanta, these luminous forms help steady devotion, which is then directed toward Shiva as the inner Lord worshiped in the Liṅga.
A practical takeaway is dhyāna with japa—visualizing divine radiance while repeating the Pañcākṣarī (Om Namaḥ Śivāya)—so the mind becomes one-pointed and purified, not distracted by worldly glitter.