सृष्टिक्रमवर्णनम् / Description of the Sequence of Creation
राजसी च सुरा देवी सत्त्वरूपात्तु सा सती । लक्ष्मीस्तमोमयी ज्ञेया विरूपा च शिवा परा
rājasī ca surā devī sattvarūpāttu sā satī | lakṣmīstamomayī jñeyā virūpā ca śivā parā
苏罗女神具罗阇斯之性(rājasic);而萨蒂确为萨埵之相(sattva)。应知吉祥天女拉克希米偏于昏暗之性(tamas);而超越这一切者,是至上之湿婆女神——毗卢帕(Virūpā),超出寻常形相。
Sūta Gosvāmin (narrating the Purāṇic teaching to the sages at Naimiṣāraṇya)
Tattva Level: pasha
Shiva Form: Umāpati
Shakti Form: Satī
Role: creative
Cosmic Event: classification of śakti-manifestations by guṇas within sṛṣṭi discourse
It teaches that while divine powers may be described through the three guṇas for explaining creation, the Supreme Śivā (Śiva’s transcendent Śakti) ultimately stands beyond all guṇas and ordinary form—pointing the seeker toward liberation-oriented worship rather than merely worldly boons.
Guṇa-based descriptions support saguna contemplation during worship, but the verse culminates in Śivā Parā—indicating that Linga worship can begin with form and qualities yet mature into realization of Śiva-Śakti as transcendent (beyond rajas, tamas, and even sattva).
A practical takeaway is to perform pañcākṣarī-japa (Om Namaḥ Śivāya) with guṇa-śuddhi intent—reducing rajas and tamas—then meditate on Śiva/Śivā as Parā (beyond guṇas), supported by Tripuṇḍra (bhasma) and inward steadiness.